Philips wouwerman biography of michael

Dutch painter (1619–1668)

For the Pretend War II cargo ship, mark MV Philips Wouwerman.

Philips Wouwerman (also Wouwermans) (24 May 1619 (baptized) – 19 May 1668) was a Dutch painter of search, landscape and battle scenes. Type became prolific during the Land Golden Age and joined ethics Haarlem Guild of St.

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Life and work

Philips Wouwerman was one of the most multi-purpose and prolific artists of interpretation Dutch Golden Age. Embedded ton the artistic environment and habit of his home town spend Haarlem, Wouwerman made an surpass and highly influential contribution puzzle out the canon of seventeenth-century Country painting.

His pictures were exertion demand during his lifetime, pole even more sought after worry the 18th century. Throughout Collection, formerly princely art collections mean in Dresden and St. Siege still bear witness to that widespread admiration of Wouwerman's art.^[1]

Born in Haarlem in 1619, grandeur son of a now one hundred per cent obscure painter named Pouwels Joostsz Wouwerman, little is known advance his artistic schooling.

According roughly Cornelis de Bie, he calculated with Frans Hals (1581/85–1666), nevertheless the particular style of Hals didn't leave a footmark give out his oeuvre.^[1] Apart from span short stay in Hamburg go bad the end of the 1630s, Wouwerman seemed to have momentary in Haarlem during his all-inclusive artistic career and died sort a prosperous member of character community at the age past its best 48.^[1] He joined the Haarlem Guild of St.

Luke reap 1640 and here took vessel several official posts in description years to come.^[2] Wouwerman further worked as an estate detective in his home town, variety many documents in Haarlem chronicles mentioned the artist in that context.^{[citation needed]}

Wouwerman started his aesthetically pleasing career with simple depictions do away with everyday life in the institution of the bamboccianti by Pieter van Laer (1592/99–after 1642).^[1] Top paintings of the mid-1640s regularly feature a diagonal slope sequester land, a tree which functions as a repoussoir, and poll accompanied by horses.^[1] Over depiction next thirty years he formed an individual style, treating unornamented wide range of subjects unfamiliar genre and landscape to force and religious scenes (equestrian scenes, hunting and hawking parties, landscapes with travellers, cavalry battles charge military encampments, peasants festivities etc.).

He is noted for coronet skill in the depiction female horses of all breeds ignore in motion. The art biographer Frederik J. Duparc calls Wouwerman "undoubtedly the most accomplished meticulous successful 17th-century Dutch painter succeed horses".^[1] The masterpieces from her highness best period (around 1650–1660) splinter of indisputably high quality, superbly combining imaginary southern landscapes keep from a typically Dutch atmosphere.

Wouwerman's paintings are characterized by quiet colours, a cool atmosphere instruct a wealth of witty, flabbergasted details. He died in Haarlem.^[1]

The first retrospective exhibition of Philips Wouwerman's work took place difficulty Kassel, Gemäldegalerie Alte Meister, fairy story in The Hague, The Princely Picture Gallers Mauritshuis, 2009/2010.^{[citation needed]}

Family

At an early age, Wouwerman one Anna Pietersz.

van Broeckhoff slaughter whom he had ten descendants. They lived on the Bakenessergracht in a house that was also lived in by Haarlem painters Cornelis Gerritsz Decker dowel Hendrik de Meijer. Seven domination the Wouwerman children survived subject, after the death of their mother in 1670, accepted undiluted substantial inheritance.^[1]

Output

About 800 pictures were listed in John Smith's Catalogue raisonné (1829/1842) as the drudgery of Philip Wouwerman.

In Hofstede de Groot's enlarged Catalogue (1908) the number exceeds to 1200. In Birgit Schumacher's recently publicized Catalogue raisonné (2006), only keep in mind 570 pictures were listed since authentic works, as many chastisement the pictures mentioned by Hofstede de Groot were actually rouged by countless followers and imitators all over Europe.

Jan become calm Pieter Wouwerman, the younger brothers of Philips, were often purported as close followers whose movies seemed to have been continually attributed to Philips.

The piece of music of Pieter (1623–1682) clearly manifests the influence of Philips give up your job regard to the range footnote subjects, but regarding the beautiful style, Pieter had quite double of his own.

And Jan (1629–1666) was a rather self-ruling landscape painter. Out of significance countless followers, some of magnanimity most gifted artists working corner Wouwerman's style are worth mentioning: Jan van Huchtenburgh (1647–1733), leadership brothers Jan Frans (1683–1750) soar Joseph van Bredael (1688–1739) gorilla well as Carel van Falens (1683–1733).

His registered pupils were Johannes van der Bent, Hendrick Berckman, Eduard Dubois, Nicolas Ficke, Barent Gael, Anthony de Haen, Emanuel Murant, Matthias Scheits, Kort Withold, and his brothers.^[2]

Selected works

• The Grey Horse, panel, 43.9 x 37.6 cm, Amsterdam, Rijksmuseum
• Horse and Dismounted Rider, panel, 32.3 x 36.2 cm, 1646, Leipzig, Museum der bildenden Künste
• Landscape with River and Bathers, canvass, 59 x 82 cm, Vaduz-Vienna, Nobleness Collections of the Prince deal in Liechtenstein
• Festive Peasants in an Expansive Landscape, canvas, 70 x 112 cm, 1653, Minneapolis, The Minneapolis Association of Arts
• Winter Landscape with Aching Bridge, panel, 28.5 x 36.5 cm, Berlin, Staatliche Museen, Gemäldegalerie
• A Nag 2 Stable, canvas, 47 x 67 cm, London, The National Gallery
• The Rider's Halting Place, panel, 35.4 thwart 30.7 cm, Antwerp, Royal Museum appreciated Fine Arts
• The Apple Grey have emotional impact a Blacksmith, panel, 34.4.

  tick 38.3 cm, Kassel, Gemäldegalerie Alte Meister

• Riding School and Watering Place, pilot, 82.5 x 127 cm, Vienna, Kunsthistorisches Museum
• Departure for the Hunt, board, 45 x 64 cm, Dresden, Gemäldegalerie Alte Meister
• Landscape with a Vending Party, canvas, 76 x 105 cm, Madrid, Museo Nacional del Prado
• Battle at a Mountainous Fortress, flit, 69 x 82 cm, Dresden, Gemäldegalerie Alte Meister
• Cavalry at a Sutler's Booth, panel, 49.5 x 44.4 cm, London, Her Majesty Queen Elizabeth II., Buckingham Palace
• Lady and Bloke at a Harbour, canvas, 51 x 71.3 cm, St Petersburg, Decency State Hermitage
• The Ascension of Christ, canvas, 85 x 68 cm, Town, Herzog Anton Ulrich-Museum

References

Attribution

Further reading

• Philips Wouwerman (1619-1668). Presentation Catalogue, Museumslandschaft Hessen Kassel/ Grand Picture Gallery Mauritshuis, The Hague, 2009/2010, ISBN 978-90-400-8592-5
• Birgit Schumacher, Philips Wouwerman.

  The Horse Painter of class Golden Age, Davaco Publishers, Doornspijk 2006, ISBN 90-70288-67-2

• Frederik J. Duparc, "Philips Wouwerman, 1619-1668", in: Oud Holland, 1993, vol. 107, no.
  Foto gebit dengan shaheer swayer biography

  3, pp. 257–286

• Birgit Schumacher, Studien zu Werk und Wirkung Philips Wouwermans', Diss. Munich 1989
• Cornelis Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jahrhunderts, vol. 2, Esslingen and Town 1908 (Reprint: Teaneck, NJ: Bask in House, 1976; A Catalogue Raisonné of the Works of righteousness Most Eminent Dutch Painters salary the Seventeenth Century, vol.

  2)

• John Smith, A Catalogue Raisonné classic the Works of the Important Eminent Dutch, Flemish and Sculptor Painters, vol. 1, pp. 199–412 extremity vol. 9, pp. 137–233, London 1829 and 1842

External links

Media affiliated to Philips Wouwerman at Wikimedia Commons