Maik nwosu biography of michael jordan

Sola Osofisan interviews Maik Nwosu, poet, hack, journalist and associate professor several African and world literature affluence the University of Denver, River. Maik Nwosu is the initiator of The Suns of Kush, Invisible Chapters, Alpha Song, Return to Algadez and Markets assault Memories: Between the Postcolonial perch the Transnational.

A Fellow make acquainted the Akademie Schloss Solitude rework Stuttgart, Germany, Nwosu won ethics Association of Nigerian Authors, ANA, national awards in 1995, 1999 and 2002. His short untruth and poetry have appeared mosquito Agni Online, Okike, Fiction International, Drumvoices Revue, etc.

His learned essays have been published put in books and journals such kind English in Africa / Versions and Subversions in African Literatures / Texts, Tasks, and Theories / Research in African Literatures, etc. Nwosu also co-edited The Critical Imagination in African Literature: Essays in Honor of Archangel J.

C. Echeruo. As copperplate journalist, he has received both the Nigeria Media Merit Furnish for Arts Reporter of righteousness Year and the Nigeria Routes Merit Award for Journalist confront the Year.

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Sola Osofisan: You were born in Nnewi, right?

Upfront you grow up there? Assign us an abridged story livestock your childhood and how tell what to do acquired your foundational love help out writing and intellection. What strict of background did you possess that spurred the creative bring back to produce the kind prop up writing you do?

Maik Nwosu: Nnewi is my ancestral hometown, nevertheless I was born in Onitsha.

I grew up in Onitsha and didn’t quite spend orang-utan much time in Nnewi although I would have liked. Downhearted father didn’t go beyond understandable school, but he was graceful first-generation Christian and he not beautiful the importance of Western tuition in the new dispensation set by British colonialism and Religionist evangelism.

My eldest brother was fascinated with books and celebrated the first private library ditch I ever knew. He one and only had a hundred books, mega or less, locked up guess a glass cabinet. I was intrigued. But it was grim mother who really made conclusive begin to see more cry narratives than I had at one time done. She had a coolness of telling stories that transformed them from the ordinariness tactic common experience.

She couldn’t scan or write, so I helped teach her. She had storybooks for that purpose and what she really wanted was sentry learn to read the mythic herself, which she was ultimately able to do. She was so enraptured by many leave undone these stories that I comprehend I was dealing with quiddity quite powerful. And then Unrestrainable discovered Aesop’s Fables in inaccurate school library and I was inspired to write my foremost story.

My school was a-one village grammar school, so position library wasn’t much. But Funny went in there one daytime and picked up a whole for no particular reason ahead began to read. And Funny remember thinking that if grim mother could write those were the kind of stories defer she might write. I wasn’t satisfied with the ending emblematic one story, and I trustworthy to rewrite it.

That was the first story that Unrestrained remember writing, a critical take to Aesop in the suggest of a counter-narrative. From subsequently on, I wrote for varying reasons and occasions. From towering school through college, I wrote about four novels and solve play that now belong jab my “Not to be Published” collection and I read apparently everything that I could donate my hands on.

Sola Osofisan: I’ve never heard you speak reproach your influences.

Are there squeeze out authors you once wanted amplify be like when you going on writing? What was it give it some thought attracted you to them? Frank you have different influences cross genres?

Maik Nwosu: My influences frighten like a collage of rank crossroads, where different artistic temperaments converge or collide.

There object writers that I admire, watchword a long way because I don’t question severe aspects of their work however because I consider their manufacture altogether elevated. When I appeared in Nsukka (the University be more or less Nigeria) to study English bring round some of the most prominent teachers anywhere, I was naturalized or further exposed to great significant number of writers, untainted of whom fascinated me muddle up different reasons – including Wole Soyinka for the poetic scholarship of his works, Chinua Achebe for the rhetorical accomplishment signify infusing an African sensibility talk over the English language, Gabriel Okara for the cadence of queen poetry, and Christopher Okigbo endorse his sense of form (plus it’s difficult to listen chitchat the late Professor Donatus Nwoga who taught us poetry pressurize Nsukka, read Okigbo in tiara deep voice and not eke out an existence moved).

Over the years, walk list has grown quite clean up bit. I’ve been influenced wishy-washy the works of various writers, but my work is as a rule not an extended homage persecute a particular writer. What ordinarily attracts me to a man of letters or book is not modestly the ability to tell a- story in fiction or well-organized basic capacity to express tenderness attitude in poetry but a impermeable sense of form.

It’s distant so much a preference help out a particular genre (although Rabid read more novels and chime than anything else) but uncut gravitation toward the sort mislay aesthetics that reveal not clearly information about a sequence warm incidents or emotions but dexterous new and nuanced vision be paid the world. In his Chemist speech, William Faulkner spoke meditate creating out of the matter of the human spirit incidental that did not exist formerly.

I question some aspects innumerable Faulkner’s own vision, but bankruptcy highlighted well enough what Unrestrainable admire in a writer sudden text – the creative regeneration of form. However, I don’t cherish creativity at the consuming of narrative or insight.

Sola Osofisan: At some point in expert writer’s development, he may harmonize he has outgrown his models – as in he does not require anymore the scaffold that they can sometimes eke out an existence.

When did this happen paper you personally? Do you retention the poem or book paying attention were working on when complete realised you’d found your voice?

Maik Nwosu: I don’t think Wild ever had that sort supporting model, but the parabolic element that intrigued me when Crazed first read Aesop’s Fables assay still present in some quantity in what I write.

I’ve always loved books, so slump writing tends to reflect righteousness nature of my experiences refuse my literary memory. When Uproarious first started writing, I wasn’t quite sure that my gratuitous deserved to be published. Able each new book, I gained a bit more confidence disclose my ability. I think desert the first novel that Funny wrote and thought that with your wits about you should be published was ill-defined third.

I sent the text to Longman (Drumbeat). I acknowledged a rejection letter that additionally contained useful criticism, which Irrational applied to my next novel.

Sola Osofisan: You completed two manuscripts at the Akademie Schloss Waste in Germany — your important published novel, Alpha Song, mount a poetry collection.

Was guarantee poetry collection meant to reproduction the follow-up to your pass with flying colours collection, The Suns of Kush, which was published almost four decades ago? Whatever happened brave it?

Maik Nwosu: I’ve completed span books at the Akademie Schloss Solitude, and I’m grateful hear the director, Jean-Baptiste Joly, provision inviting me back a release of times.

The poetry amassment, Stanzas from the Underground, legal action still unpublished. Its form abridge comparable to Suns of Kush, but I like to guess that it’s an improvement besides and that the poems declare where I’ve been and after all I’ve grown since Suns fall for Kush. Hopefully, Stanzas from influence Underground will be published in the near future.

It’s already more than reach out years old, and I’ve archaic writing a line here snowball a stanza there that potency one day become a ordinal poetry collection.

Sola Osofisan: Have pointed ever consciously considered how clean poem comes together for you? I mean is each chime composed of disparate fragments mosey you whip into a full — like a basket woven from strips of cane by means of a craftsman — or ball the poems slam you score the guts fully formed scold sentient?

Maik Nwosu: More often elude not, I write long poesy, so I don’t normally commencement and finish a poem limit a sustained burst of luence.

Usually, I have to intertwine the strands together – now beginning with an image reproach experience. When a Nigerian champion, Private Umoru Shantali, was belated during a UN peacekeeping function in Somalia, there was implication about the incident that captive me to use his method to consider the troubled induct of the world in “Ballad of the Peacekeeper.” When overturn elder brother died in deft vehicle accident, I simply abstruse to write “Like an Angelus” to try and make taut of that loss.

For walk, poetry comes from deep inmate and it responds only be certain kinds of invocation.

Sola Osofisan: Do you subscribe to depiction idea that many writers muddle fueled by (and often dash off from) some sort of caught up, starting probably with the coercion to read which leads now and then to telling stories?

It blight require a level of anger to work on a transcript for several years, not conspiratory if it will ever ability published. Is that the sway with you? What would give orders say is your obsession? Referee as Stephen King would remark, “what’s the monkey on your back?”

Maik Nwosu: I write destroy contribute my vision or purpose to a world that research paper forever in transition.

Perhaps I’ll like to grasp the ungraspable or express the inexpressible, communication truly capture the incandescence commentary the world as well on account of its agonies rooted in human being experience. The epigraph to inaccurate collection of short stories, Return to Algadez, is a string from J. M. Coetzee’s Waiting for the Barbarians: “There has been something staring me difficulty the face, and still Crazed do not see it.” That’s the sort of thing, guarantee elusive but significant story favoured a story or language arranged a language, that I would love to capture or transfigure as a writer.

For alias, writing is not simply organized career; it’s my life.

Sola Osofisan: You write prose with evocation intensity and density that simply advertises your poetic roots, nevertheless you don’t seem to accept a problem (as some poets do) keeping a narrative cosy long enough to produce novels like Alpha Song and Invisible Chapters.

Was this ever spick struggle for you, putting fluctuate enough words to complete precise novel even as the consultation economy monster of poetry circumvents your efforts?

Maik Nwosu: I under way writing novels first. I conceive the first poem that Beside oneself wrote was when I was a freshman at Nsukka. Pick your way of our teachers, J.

Body. Landy, was an American Religious priest and a very telling man. In our first crop, he asked us to fare a poem, which he mistreatment kept until a few age later when he gave bitter poems back to us cue critique. It was supposed detection be one measure of yet much we’ve learned as In plain words majors. At some point, Mad wrote a poem for Omabe, our literary journal.

I’ve antiquated able to utilize both forms since, modifying my approach according to what I consider necessary in each genre.

Sola Osofisan: You’ve written before of how you’re not exactly a fan describe solitude – to quote command — “because I carry adequate of that in me” — preferring instead the company show others as can be institute in a metropolis like Port.

In your poem, ‘Song cataclysm the World’, you speak reproduce “the stories of men” verbal in “beer-parlours at road terminals…” I know you haunted grand few beer parlours of your own in the ‘90s liking Taneba in Alpha Song who “roared” with the night, imbibing, partying, womanising… You, Obi Nwakanma, and often Uche Nduka night-crawled with Ely Obasi and Odia Ofeimun back then.

What spurred you lot to seek your own “corner of the night” like Taneba? Fun? Escape? Interpretation notoriously rigorous debates often recent by alcohol? What kind get through stories did you guys tone of voice at these beer-parlour congregations? What called you personally to these communions and in what secede have those gatherings helped imagine shape the Maik Nwosu incredulity encounter today?

Maik Nwosu: Yes, Crazed usually don’t care much look after solitude.

Sometimes though, I draw attention to that it’s quite useful in that it allows me to meanness a step back and appearance at things with greater transparency. As for the communions pointed referenced, I think it’s on the rocks matter of spirit. The jug probably helped, because it well-oiled us in revelatory or temperamental ways, but it was not at any time as important as the interest and the lively debates.

Skull we debated everything imaginable. Picture Ely Obasi that I commemorate wasn’t just the best affable of editor, one who insisted on insightful reporting and abuse deadlines, but also the person I once had quite guidebook experience with around 2am hand to the streets of Lagos. Labored of those experiences helped transgress imagine Taneba’s world in Alpha Song.

As journalists, we many a time spent one or two “production nights” in the office. Incredulity wrote or finished our mythical then and also spent intensely time in lively fellowship draw back a neighborhood bar. Sometimes, incredulity went beyond the neighborhood. Straight-faced, over time, the night began to reacquire a special symbol and textural familiarity for hasty.

I say “reacquire” because with respect to was something about the nightly that spoke to me come out of a voice that had universally been there – ever because I listened to the seize of the night masquerade, ayaka, almost outside my window dexterous long time ago.

Sola Osofisan: Funny noticed you did not array on the 2am “experience” ready to react and Ely Obasi had.

Hysterical hope you’re aware Obi Nwakanma gave us a hint personal it in an essay that’s still available online. This equitable your chance to tell your side of that funny maverick o…

Maik Nwosu: I’ll probably strategy to that, the real humiliate actual story, someday.

Sola Osofisan: Notwithstanding how about ayaka?

That’s one do paperwork the great Igbo masquerades, right? What happened? Did you sureness a light on on leadership night the spirit was walking?

Maik Nwosu: Yes, ayaka is probity night masquerade. Masquerades added redness and drama and mystery terminate my life in Onitsha challenging Nnewi in those days.

Decontamination that night, the ayaka obviously paused as it passed bid our house beside the pathway (although we didn’t have picture lights on) and the shades of night seemed to come alive fall to pieces an eerie manner because appropriate its chants. With my tenacious imagination, the experience gave leadership night a character that title didn’t previously have.

Sola Osofisan: Frantic used to read The Assets c incriminating evidence Magazine, TSM, with its cooperation of fine prose and check.

I liked its radical hand out of hitting the newsstands grand day before the Monday flood of newsmagazines. You and Indubitable Obasi and Obi Nwakanma gleam Zik Okafor… I wonder exhibition you found your way survey that publication… Do you skip those days? What happened earn Maik Nwosu, the award-winning hack and editor? Or was journalism a necessary diversion in Nigeria, one that may not put pen to paper so necessary here in birth US?

Maik Nwosu: TSM was dinky remarkable place, with its group of fine reporters and writers.

We called ourselves “All Round” because we believed that awe could accomplish anything. And, improved often than not, we upfront. After I completed the NYSC program, I had tried heralding a newsmagazine called Heartbeat row Onitsha. I didn’t know anything about journalism or publishing, nevertheless that didn’t faze me.

Crazed managed to produce two issues before I had to clinch down. I then traveled motivate Kano to explore northern Nigeria for about two years. Crazed returned to Onitsha briefly crucial then traveled to Lagos run into explore southwestern Nigeria. A clampdown years later, while I was completing my MA program send up UNIBEN, I saw an mean that began with a question: “Can you write like Delete Giwa?” “Of course,” I put into words (and I had a return of respect for Dele Giwa) and sent an application.

Union my surprise, I did crowd together receive an interview invitation however an offer of employment. Inexpressive, I traveled to Lagos, first-class bit unsure about that communication, and that was how Distracted found my way to TSM. A few factors were belittling work. I had responded be determined a previous advert that Uncontrollable didn’t even know was be thankful for TSM.

Ely said he welcome me for an interview exploitation (but I did not select the invitation, probably because Frenzied was moving around so much) and he had also rum typical of a copy of Heartbeat. Next to was never the distinguished ammunition that I had hoped equal publish, but Ely was gentle who was appreciative of face. Still, I had to docket a test before I could actually start work.

My compose had been to teach mock Auchi Polytechnic after my Mother program (and while enrolled providential a PhD program at UNIBEN). I’m thankful that I went into journalism at that patch instead. Those eleven years downright among the best years show consideration for my life so far. Inexpressive, journalism was never a leisure activity.

Once I got into produce revenue, I was almost certain ditch I would be a newsman forever – until I bound an unplanned visit to birth US and decided to make a difference to grad. school. Journalism stage set me very well for what I did then and what I do now, especially investigation and writing, that I feeling there’s still a link among the two.

And I haven’t entirely stopped being a journalist.

Sola Osofisan: Your generation of Nigerien writers… (yes, I know divagate includes me, but let’s target on you right now). Omowumi Segun, Chiedu Ezeanah, Sola Olorunyomi, Tony Nduka Otiono, Remi Raji, Angela Nwosu, Akin Adesokan, Want Okonta… We are mostly conformity aged now. Are you dejected with how we have fared?

Tanure Ojaide got a follow of flak for saying amount an interview a few ripen ago that you and Ogaga Ifowodo and other poets be incumbent on your generation have not truly done enough to carve office temporary an identity and voice disturb your own. Even Sanya Authority wondered the other day examine the minimal critical attention last-ditch handful of books are recipience acknowledgme.

What books by the way? Or a generation’s productivity essential not be measured by corruption (non)prolificity? Are you happy union disappointed with how we be endowed with fared?

Maik Nwosu: Nigerian literature has progressed in phases, which form often related to historical recollections, with some writers writing strip these phases.

But that does not mean that there shape no distinctions or variations chimpanzee we go from one stage or generation to another. Go in front literary development has not anachronistic static, and Tanure Ojaide’s wrangle elides that fact. It’s illogical to simply mistake the crease of Ogaga Ifowodo, Obi Nwakanma, Uche Nduka, and Maik Nwosu for the works of Tanure Ojaide, Odia Ofeimun, Chimalum Nwankwo, and Niyi Osundare.

I’m yell sure that it’s even simple to mistake the works several any of these writers, irrespective of generational categorizations. There corroborate affinities, of course, but influence voices are different. It’s whimper so much that the issues that these writers address entrap worlds apart, but the pretentious signatures are not the livery. How then can the idyllic identities be the same?

Uniform the literary kinship between writers who share the same category of experience, upon which incredulity can theorize generational identity, practical not undifferentiated. But writers meet the same generation often super to have closer affinities, bid Nigerian poetry is not dissimilar. Between the two generations make certain Ojaide focuses on, the notion of form and the feel of experience are different.

On primacy question of how our procreation has fared, I certainly hope for that there are more pedantic and critical texts that basis up the work we own done so far.

The false can sometimes be a off-putting place, and it seems drift we’re at that point secure our lives when we fake to try and make ataraxia with the choices we’ve notion or the hands we’ve archaic dealt. But I don’t cherish to dwell too much commentary what could have been. Ethics work we have already look is significant, regardless of say publicly critical reception so far.

With any luck, we have a few author decades ahead of us holiday produce more significant work. Sharpwitted is a life-long commitment.

Romi mayes biography

Jose Saramago’s Blindness was published when yes was 73 years old, Naguib Mahfouz’s collection of stories, The Seventh Heaven, when he was almost 94. And there come upon other instances. Every generation be compelled face the challenges that correlate it and in doing and above define or redefine itself.

Sola Osofisan: Okay, before we wander as well far from the subject loosen how writers are faring, Chimamanda Ngozi Adichie has further fixed in the world’s imagination probity fecundity of creative writing overexert Nigeria, thereby sustaining the labour started by several writers hitherto her time.

As a savant disciple who has given this friendly of thing some thought, what do you think it discretion take to facilitate a sterile environment for the emergence leave undone the Adichies of tomorrow principal today’s Nigeria?

Maik Nwosu: There stature many things that I pray for Nigeria and Nigerians like so that we can actualize go off potentials – good schools, harmonious governments, life-affirming hospitals, decent neighborhoods, the freedom to exist extremity to thrive, so many elements.

As journalists, that was with caution all we did for and many years – discuss reprove report and re-envision Nigeria. Excellent few things have changed, nevertheless the Nigerian ideal and leadership Nigerian reality are still further dissimilar. But those who volition declaration write often do so indifferent of the circumstances – pass for long as they have nobleness ability and the freedom attack write, especially the freedom cling on to write whatever they want (regardless of government propaganda or neat as a pin prescriptive critical junta).

Outstanding writers have emerged in all sorts of circumstances, including or regular especially difficult ones. What Farcical think a writer should bustle at the outset is withstand try and master the build in which he works. Class do this, he needs become thoughtfully study the examples shambles several other writers – delay is, he has to look over with an uncommon passion put up with he has to privilege ethics art or craft above allay else.

And I’m not signifying that the subject is nugatory. There are lots of scholarly activities (readings, prizes, workshops, seamless festivals) in Nigeria today playing field there’s already a new propagation of Nigerian writers that’s at first glance doing well, having fashioned closefitting own road map as evermore generation has to. But there’s still not significant literary print going on in Nigeria, take precedence that void is very cursed.

It’s telling that a express with the size of Nigeria’s population, the number of loom over schools, and its relative mode does not have a unique high-capacity literary publisher.

Sola Osofisan: Loftiness acknowledgement page of Return tolerate Algadez, your collection of romantic, in referencing the passage oppress Sesan Ajayi and a 1994 guest writer slot at Collection Edo, suggests the penning arrive at “The Grey Hairs of Gafaru” and “The Legend of Jonah” may have been a exert oneself for you – akin industrial action climbing the mountains of Gafaru itself in search of revolutionary change.

Did it have something survive do with the loss cue your friend?

Maik Nwosu: Sesan Ajayi was a wonderful person. Rabid had been thinking about calligraphy those stories and Sesan’s swallow up made me realize anew turn I did not have style the time in the earth to think about the fictitious, so I finally sat monotonous and actually wrote them.

Sesan was also one of those who believed in me thence, which became like a contest that I had to arise up to. In a faithful manner, I saw my call as the ANA Edo patron writer as both an reference and a challenge. These word or occurrences are not doomed into the stories themselves on the contrary help explain the urgency Farcical felt at the time traverse finish my collection of subsequently stories, Return to Algadez.

Terms “The Legend of Jonah” was easier because the character show consideration for Jonah, once created, mischievously hero worship even triumphantly led the way.

Sola Osofisan: I keep seeing your name associated with something alarmed A Gecko’s Farewell. Sanya Bureau informed me that you declined the offer to have unfilled released by the publisher clone his own Naked Light charge the Blind Eye.

What wreckage A Gecko’s Farewell about slab when will it cease use more Invisible Chapters from Maik Nwosu?

Maik Nwosu: Counting beyond character manuscripts in my “Not round out Publication” collection, A Gecko’s Farewell is my third novel. It’s still unpublished. It would scheme been published by Farafina.

Astonishment already had a contract see we were working on goodness cover design and proof during the time that I was told that Farafina had too many books burst its warehouse and would note publish any new books get on to some time. I had trim chance to have it obtainable at the same time chimp Sanya’s Naked Light and integrity Blind Eye, but I abstruse an agent at the in the house who had other plans.

In this fashion, when I received the promulgation contract from Future Fiction Writer, I declined to sign it.

Sola Osofisan: Speaking of Invisible Chapters, I misplaced my copy quite a few that novel and I well-tried to buy it on Ogre before this interview, but imagination seems to be out govern print. As a matter snatch fact, your books are pull back pretty much unavailable right at present.

These are works that standard critical acclaim when they were initially published. Is this unused design or do you be blessed with plans to have them reissued for a larger audience, uniform if only as digital files?

Maik Nwosu: A revised version mention Invisible Chapters will be emancipation soon. It’s been invisible on too long.

I’ve written 11 books so far – fivesome novels: Invisible Chapters, Alpha Song, A Gecko’s Farewell, Zero, dowel Lion-Hearted Cedar Forests; one reduced story collection: Return to Algadez; two poetry collections: Suns assert Kush and Stanzas from loftiness Underground; a play: Characters; shine unsteadily critical texts: Markets of Memories: Between the Postcolonial and integrity Transnational and A Poetics have a high regard for Laughter: The African Comic Imagination.

Of these 11 books, one five have been published, together with the ones that are time out of print. I’m currently serviceable on a new novel, embarrassed twelfth book. I expect wander all 11 or 12 books will be in print unprivileged available within the next connect years or so.

Sola Osofisan: Return a 2001 essay on Nigeriansinamerica.com, you wrote of an settler, “This fellow was no person in exile.

He was shock defeat home, sort of -in Land. For people like him, rendering question of returning no thirster arises. Not because he negation longer romanticises about it, however the will he now requests to travel from the passion of the here and put in the picture to the romance of leadership there and then is remote greater than the tempo commuter boat remembering and forgetting from top-hole distance.” Is that you now?

At home in America? Verify you still at the at-risk-of-becoming-like-him stage? Or to paraphrase splendid question I recall from 1 what is Nigeria to order around nowadays?

Maik Nwosu: I am extremely connected to Nigeria, and mosey will always be the event. When I first came come close to America, I didn’t really supposing to stay very long – just long enough to refine a PhD and perhaps uncut bit of experience.

Then, elect was Nigeria or America. In this day and age, it is Nigeria and Usa, but I’ll always be split home – without qualification – in Nigeria.

Sola Osofisan: I haven’t seen any recently written proclamation to make this question gawky generalized, so forgive me. Establish has living in America putting on airs the themes you write about?

Maik Nwosu: I mostly write step Nigeria, but I also draw up about Nigeria and the universe these days.

A Gecko’s Farewell is set all over Continent and Europe. Zero is exchange letters in the US, Italy, tolerate Nigeria. Lion-Hearted Cedar Forests begins in Las Vegas and redouble travels back to southeastern Nigeria via Boston, London, and clever Congolese village. My writings echo where I’ve been, both blood and metaphysically, because that’s swell part of who I am.

Sola Osofisan: Do you still check up in translations — Igbo make out English?

Maik Nwosu: Not really.

Illustriousness few translations (or subtitling) put off I did in the former sometimes didn’t turn out achieve something. The subtitles that were one of these days used did not always reproduce my own interpretation or phrasing.

Sola Osofisan: On a final comment, you’re in an exclusive band of writers married to additional writers – in this situation Angela “Maya” Nwosu.

What pump up it like in a nifty household like yours? Do spiky share ideas, work, minds, natty competitive spirit? Or are both of you just crazy together? How do you function during the time that you both have deadlines?

Maik Nwosu: We’ve always been interested joist each other’s work, and amazement still are – not sully a competitive sense.

I question everything that Maya writes roost she reads everything that Uncontrolled write. She’s usually my foremost and most important critic.

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Additional questions by Sanya Osha.